FX Explained.

This delay has a subtle texture and can add some rhythmic texture to the high end, and works great used with the filter to balance the effect with the music, creating subtle changes without overwhelming the music beneath.

This unpitched delay helps give small lifts across the movement of a track, particularly unquantised music, adding a wash of harmonic echo to help mixes flow seamlessly between one another 

This is a combination effect, a pitched delay with a tight metallic reverb transient, helping to give a synthetic and boxy pressure to rhythms in a track.

A really handy tool with a wide range of applications, this reverb has a large range of scale, allowing changes in depth via the time and highpass filter controls to create the perfect space to match whatever the music and space requires.

With a large low-end response, this reverb is a large chamber effect that can widen the scale of the input, for creating booming textures in larger applications.

A short, gated reverb, for adding tight body to music without losing too much pressure in the transient tail, also able to widen into a large space for reducing tension and diffusing music.

A powerful performance effect, this gated noise effect gives a sculptable noise, allowing sweeping curves when played with the resonance and time parameters.

New for FX Gen 2, this delay uses a BPM counter module to detect and assign quantised time settings to the effect. Playing into the strengths of this type of tight and unnatural setting can add layers of snappy machine style funk to beat-driven electronic music.